When The Spouse raised the possibility of visiting Berlin in
connection with a business conference, I jumped at the chance. After all, Berlin is currently the Hot
City of Europe, famous for its lively arts and music scene and generally
convivial lifestyle. (I didn’t take into
account that, conversely, Berlin in January can be a Very Cold City – but one
can’t ask too many questions when the trip is being subsidized.)
Aside from knowing that Berlin was the capital of Germany
before World War II, resumed that role after reunification in 1990, and is the
site of the famous Brandenburg Gate, I had few preconceptions. So, The Spouse and I set out via Swiss Air
one Saturday morning – love those little chocolate bars they hand out. We arrived at Tegel Airport, located in the
former West Berlin. It was supposed to
have been superseded by now by a new airport, but its construction is way
behind schedule. Tegel is deliciously
retro; I read a while ago that
its hexagonal shape was designed in the carefree pre-terrorism 1970s, with the
idea of minimizing distance between automobile and airplane. Even now each gate has its own check-in
counter, but the idea of stepping out of one’s car or taxi and directly into the
plane has been overridden by the need for security areas and lounges for long
pre-boarding waits.
Tegel was an appropriate introduction to our Berlin
visit. However modern it is – and there
are building cranes where ever one looks in Berlin – it still seems to be in a
bit of a time warp.
For one thing, despite Tegel’s automobile-centric design, Berlin
missed being made over in the service of automobile traffic. It has an extensive and excellent public transportation
system made up of trams, buses, S-Bahns and U-Bahns (mainly underground trains:
S-Bahns make more frequent stops). At
Tegel we purchased 7-day passes for the entire system for 28 Euros each (we
were only going to be there 5 days, but that was the cheapest rate) and climbed
onto a bus to the center of the city.
Unfortunately, our progress from there was complicated by a huge
construction project to rebuild an S-Bahn station that effectively cut the line
in half, but eventually we made our way to our hotel in the heart of former
East Berlin.
I couldn’t be sure, but our hotel – a fine, 4-star
conference hotel – seemed to have originally been some kind of Communist-era apartment
complex, a sturdy concrete structure forming a maze of hallways and rooms that
must have faced interior courtyards. The
façade has been recently resurfaced with something expensive, but the building
had the solid, stolid look of Soviet era construction. Our room looked across Leipziger Strasse to the
Bulgarian embassy.
For our first evening in Berlin I had booked tickets to see a
production of Tosca by the Deutsche Oper Berlin, so after settling into the
hotel we ventured to the neighborhood of Charlottenburg, in the former West
Berlin. The Spouse and I like classical
music of all kinds, but during our stay in Switzerland our experiences have
been limited by busy schedules and the fact that live concerts are very
expensive. Prices in Berlin seemed much
more reasonable. Plus, this production
featured the fine Welsh baritone Bryn Terfel in the role of Scarpia.
We located the nearest U-Bahn (subway) stop just around the
corner from our hotel, and armed with our passes just stepped onto the appropriate
train to take us west. It’s amazing how
much more smoothly things go when the system has no turnstiles and other means
of restricting access. Everyone is
assumed to have a proper pass; if you are caught without one in the infrequent,
random checks you pay a hefty fine.
The Deutsche Oper is one of two major opera houses in
Berlin; the other, the Staatsoper, is in the cultural center in the former East
Berlin, its 18th century classical design having been preserved
through numerous reconstructions. The
Deutsche Oper, on the other hand, was completely redesigned after it was
destroyed in an RAF raid in 1943.
Opening in 1961, the building embodies the austere modernism of that
period. We arrived after dark but the
starkness carries over into the interior.
The theater was completely unadorned, faced with a light-colored wood
throughout, prompting The Spouse to comment that it reminded him of a very
large high school auditorium. Nonetheless, we had excellent seats and
thoroughly enjoyed the performance, despite the fact that the demanding
audience was clearly not happy with the work of the tenor playing Cavaradossi.
The schedule for Sunday had long before been set: we were
going to the Pergamonmuseum, one of the world’s great museums of ancient
history. As the careful reader will have
noticed, ancient history is one of our favorite topics at the moment. To ensure that we would have all the time we
wanted there, I had even reserved tickets online for the 10:00 am opening.
Despite the bone-chilling cold we decided to walk from our
hotel, enabling us to see some of the city’s grand public spaces, such as the
Gendarmenmarkt and the grand avenue Unter den Linden, passing the Konzerthaus
Berlin and the Staatsoper, currently closed for reconstruction. We eventually came to the Museum Island, site
of a number of major cultural institutions, comparable to the National Mall in
Washington, D.C. Nearly all boasted a
similarly monumental classical design.
In fact, all the architecture we passed was traditional. And because most of these buildings
presumably were damaged in World War II, the East Germans seemed to have chosen
to recreate the original buildings, while the West Germans preferred to replace
theirs with modern styles.
Now, however, Museum Island is undergoing major
reconstruction in which its five major institutions will be joined by
subterranean passageways. They will
eventually be united by a huge cultural centre known as the Humboldt-Forum that
will have a historical façade over a modern interior. At the moment, it is a massive construction
site surrounded by wooden walls, which reinforce one’s sense of disorientation.
The Pergamon is home to the famed Pergamon Altar, a large
shrine built in the 2nd century BC in the Greek city of Pergamon in
present-day Turkey. Around its sides ran
a frieze depicting an epic battle between the gods and the giants – in which
the victory of the gods ensured the establishment of order over chaos (assuming
you were allied with the gods…). The
museum was built in 1930 to house the shrine, which had been excavated by
German archaeologists. We knew that it
was A Really Big Deal, in terms of ancient history, but what we weren’t
prepared for was the sheer fascination of the friezes as works of art. The Spouse explained that they embodied the
exuberance of 2nd Century Hellenism.
It was a Who’s Who of Greek culture, with every major and minor god grappling
with a varied host of grotesque giants, many with serpent tails instead of
legs. I hadn’t brought my good camera,
but I tried to capture some of the many depictions of heroic goddesses.
We happily spent several hours examining the friezes and
another series in a colonnaded courtyard at the top of the shrine depicting the
life of the city’s mythical founder, Telephos, with episodes seemingly copied
from the lives of Oedipus, Moses, and other heroes. Eventually we moved on to other treasures
contained in the museum, the ornately decorated Market Gate of Miletus, a Roman
trading city in Turkey and the jaw-dropping Ishtar Gate, part of the
fortifications of 6th Century Babylonian ruler King Nebuchadnezzar
II. Eventually, though, we realized that
if we were not going to drop from exhaustion we would have to stop for lunch,
and because of construction we were going to have to leave the museum to get
it. Perhaps because of the many
construction projects or bad planning, there simply weren’t many places to rest
and eat in the area, but eventually we found a pleasant Italian restaurant off
the island.
Afterward we visited the Altes Museum, another of the Museum
Island complex. Built in the early 19th
Century as the Koenigliches Museum to house the art collection of the Prussian
king Friedrich Wilhelm III, it followed classical models exactly. In the 1950s it was reconstructed following
the original designs. Today it features
excellent displays of Greek, Etruscan and Roman art and archaeological objects,
though were disappointed not find the Minoan material that our guidebook
promised. After an exhaustive day on the
Island, we were happy to find our way back to the hotel via a U-Bahn line.
Monday we decided to see a wider range of Berlin’s sights
and especially its neighborhoods. We
started by heading to the Brandenberg Gate.
To get there, we walked west on Unter den Linden through a more
commercial area. Here there must have
been more extensive war damage for all the buildings dated from the post-war
period. We were interested to see a
massive blocky office building bearing a sign for its chief occupant, Aeroflot,
the Russian airline. To its west
dominating the avenue was the massive Embassy of the Russian Federation, which
clearly had been the home of the Soviet Union before 1989. But then we reached the square to the east of
the Brandenberg Gate. There, facing each
other across the square, were modern embassies for Britain, France and the
United States, all clearly newly built since 1989.
Walking through the gate we saw the Reichstag building, now
the home of the German parliament or Bundestag. Recently restored with a modern glass dome,
it seemed an excellent symbol of the nation’s efforts to balance old and new. It is surrounded by spanking new Federal
buildings – I think one’s reaction to them depends on his feelings about modern
architecture…
We hopped on the U-Bahn and traveled north to an area known
as the Scheunenviertel (Barn Quarter), a more traditional residential and
commercial area that formed the northern boundary of old East Berlin. Emerging from a neighborhood of apartment
buildings we came to an open area that seemed to be waste land until we
realized that it was the Gedenkstätte Berliner Mauer, or memorial to the Berlin
Wall.
Where the Wall has been destroyed
almost everywhere else in Berlin, a large swath was preserved here, complete
with guard towers, ditches and the open “death strip” that were perfected over
time to maintain the control of the Communist regime. We found it sobering and oddly moving,
especially in light of the fact that its history largely coincided with our own
lives. Later, looking at aerial footage
taken just after the fall of the regime, it occurred to me that I had been
thinking of the Wall as something that divided East and West Berlin. Actually, it enclosed West Berlin –
but it was the East Berliners who were the prisoners, while West Berliners
could enter and leave via certain check-points and travel to West Germany on
designated highways. Just another
example of the paradoxical nature of the time.
Afterward we found our way to the commercial heart of the
neighborhood, full of stylish boutiques, art-house cinemas, restaurants and
nightclubs. The Hackesche Höfe is a
beautifully restored early 20th century building complex with fascinating
Jugenstil courtyards. We happened on a
terrific old-World style café. The Oxymoron Restaurant, where we had such a
great lunch that we returned the following evening for dinner. Later we hopped back on the U-Bahn to explore
Kreuzberg, another happening neighborhood where artsy hipsters live in the midst of
longtime Muslim immigrant communities. A
few days later we returned to the neighborhood for an excellent dinner at
Defne, a Turkish restaurant that exuded comfort and authenticity – and reminded
us of how much we had loved eating out in Istanbul.
The conference that was our ostensible reason for the visit began on Tuesday, putting an end to The Spouse’s touring, but I still had several
more days to explore. I traveled west
via bus to Potsdamer Platz, an area that was center of Weimar Republic
nightlife, then leveled by the war and cut in half by the Wall. Since the ‘90s it has been rebuilt as a vast
business and commercial center with lots of gleaming
skyscrapers and indoor
shopping malls – that largely left me cold.
It is also home to the new concert hall of the Berlin Philharmonic, not
a favorite either, although I gather that the acoustics are fantastic. But the Gemäldegalerie (Picture Gallery) is a
stunning collection and I
happily spent 8 hours working my way through masterpieces of Western art from the 13th
through the 18th centuries.
My last day, when I had hoped to take more photographs, was
cold (again) and rainy, so I contented myself with using my pass to visit other
areas of the city by bus. I look forward
to a return visit this summer, when I will be taking an intensive two-week
course in German, and when I hope the weather will be more comfortable.